Representing the Real: a Merleau-Pontyan Account of Art and Experience from the Renaissance to New Media

Citation:

Kelly, Sean. 2011. “Representing the Real: a Merleau-Pontyan Account of Art and Experience from the Renaissance to New Media.” Art and Phenomenology, edited by Joseph D Parry. New York: Routledge.
Representing the Real: a Merleau-Pontyan Account of Art and Experience from the Renaissance to New Media

Abstract:

Philosophy of art is traditionally concerned with the definition, appreciation and value of art. Through a close examination of art from recent centuries, Art and Phenomenology is one of the first books to explore visual art as a mode of experiencing the word itself, showing how, in the words of Merleau-Ponty, "Painting does not imitate the world, but is a world of its own". Including an extensive selection of full colour reproductions, Art and Phenomenology is essential reading for anyone interested in Phenomenology, aesthetics, and visual culture.

Notes:

Includes bibliographical references and index.; HOLLIS no. 012851236

HOLLIS

Full Text

Contents:

1. The phenomenological relevance of art / Mark Wrathall -- 2. Phenomenology and aesthetics; or, why art matters / Steven Crowell -- 3. Objectivity and self-disclosedness: the phenomenological working of art / Jeff Malpas -- 4. Horizon, oscillation, boundaries: a philosophical account of Mark Rothko?s art / Violetta L. Waibel -- 5. Representing the real: a Merleau-Pontyan account of art and experience from the Renaissance to New Media / Sean Dorrance Kelly -- 6. The judgment of Adam: self-consciousness and normative orientation in Lucas Cranach's Eden / Wayne Martin -- 7. Describing reality or disclosing worldhood?: Vermeer and Heidegger / Beatrice Han-Pile -- 8. Phenomenological history, freedom, and Botticelli's Cestello Annunciation / Joseph D. Parry -- 9. Showing and seeing: film as phenomenology / John B. Brough.

Last updated on 07/28/2014